During the formative years of jazz (1890–1917), the Creoles of Color—as they were then called—played a significant role in the development of jazz as teachers, bandleaders, instrumentalists, singers, ...
2023 Jazz Journalists Association (JJA) Jazz Awards for Books of the Year—Honorable Mention Recipient
On December 4, 1957, Miles Davis revolutionized film soundtrack production, improvising the score ...
Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled ...
In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse—jilted by the musician and replaced ...
Shortlisted for the EuroSEAS Humanities Book Prize 2022
Quyền Văn Minh (b. 1954) is not only a jazz saxophonist and lecturer at the prestigious Vietnam National Academy of Music, but he is also one ...
The Jazz Masters: Setting the Record Straight is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible ...
In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative ...
Outside and Inside: Representations of Race and Identity in White Jazz Autobiography is the first full-length study of key autobiographies of white jazz musicians. White musicians from a wide range of ...
2020 Association for Recorded Sound Collections Awards for Excellence—Best History in the category of Best Historical Research in Recorded Jazz
Adrian Rollini (1903–1956), an American jazz multi-instrumentalist, ...
A CHOICE 2018 Outstanding Academic Title
In Jazz Transatlantic, Volume II, renowned scholar Gerhard Kubik extends and expands the epic exploration he began in Jazz Transatlantic, Volume I. This second ...