Yodeling and Meaning in American Music
The first musicological and ideological examination of the rich yodeling tradition
Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?
To answer such questions, Wise applies the perspectives of critical musicology, semiotics, and cultural studies to the changing semantic associations of yodeling in an unexplored repertoire stretching from Beethoven to Zappa. This volume marks the first musicological and ideological analysis of this prominent but largely ignored feature of American musical life.
Maintaining high scholarly standards but keeping the general reader in mind, the author examines yodeling in relation to ongoing cultural debates about singing, music as art, social class, and gender. Chapters devote attention to yodeling in nineteenth-century classical music, the nineteenth-century Alpine-themed song in America, the Americanization of the yodel, Jimmie Rodgers, and cowboy yodeling, among other topics.
The many cross references will delight those readers interested in early country and western music as there is such a huge reservoir of artists mentioned and referred to, that even folklorists and music collectors will learn something new.- Dr. A. Ebert, Pop Culture Shelf
Yodeling and Meaning in American Music is essential reading for anyone who is inclined to dismiss yodeling as an amusing but harmless practice. Wise takes the yodel seriously and offers an authoritative and comprehensive study of its cultural history and the debates it has created among musical critics. The various categories of the yodel are examined, and the past role it has played in musical styles both popular and classical. Wise is right to claim that people are rarely ambivalent about the yodel, but they will find their understanding of the yodel and its social meanings transformed after reading this book.- Derek B. Scott, author of Sounds of the Metropolis and Musical Style and Social Meaning