The Last Seat in the House
The Story of Hanley Sound
A history of the first sound engineer to jam sprawling festivals and rock whole stadiums
Known as the "Father of Festival Sound," Bill Hanley (b. 1937) made his indelible mark as a sound engineer at the 1969 Woodstock Music and Arts Fair. Hanley is credited with creating the sound of Woodstock, which literally made the massive festival possible. Stories of his on-the-fly solutions resonate as legend among festivalgoers, music lovers, and sound engineers. Since the 1950s his passion for audio has changed the way audiences listen to and technicians approach quality live concert sound.
John Kane examines Hanley’s echoing impact on the entire field of sound engineering, that crucial but often-overlooked carrier wave of contemporary music. Hanley’s innovations founded the sound reinforcement industry and launched a new area of technology, rich with clarity and intelligibility. By the early seventies the post-Woodstock festival mass gathering movement collapsed. The music industry shifted, and new sound companies surfaced. After huge financial losses and facing stiff competition, Hanley lost his hold on a business he helped create. By studying both his history during the festivals and his independent business ventures, Kane seeks to present an honest portrayal of Hanley and his acumen and contributions.
Since 2011, Kane conducted extensive research, including over one hundred interviews with music legends from the production and performance side of the industry. These carefully selected respondents witnessed Hanley’s expertise at various events and venues like Lyndon B. Johnson’s second inauguration, the Newport Folk/Jazz Festivals, the Beatles' final tour of 1966, the Fillmore East, Madison Square Garden, and more. The Last Seat in the House will intrigue and inform anyone who cares about the modern music industry.
There is a slicker, punchier, shorter read hidden within The Last Seat in the House, but if you want the full tour – Access All Areas – of Bill Hanley, Hanley Sound Inc, the emergence of the live sound industry in America, and all the key events surrounding it, then John Kane has the ticket.- Fast-and-wide.com
John Kane definitively captures the spirit of what it felt like for musicians on stage during the metamorphosis of sound reproduction in the sixties. Through the eyes and ears of Bill Hanley, whom so many of us thought of as a magician, John weaves a tale that is essential historically, microscopically pure in substance, and grand in scale. I was there. John captures these astounding moments in sound beautifully and with the passion that the subject deserves. If your interest, like so many, has been piqued by the music of the sixties, you will love this book. Thanks, John, for making us remember and for bringing this story to the audience it finally deserves.- Steve Katz, guitarist, singer, record producer, and original member of the Blues Project and American Flyer
From Washington, DC, to Woodstock, Bill Hanley was the best sound in the solar system. Uber awesome and amazing.- Wavy Gravy, Hippie Icon, Flower Geezer, and Temple of Accumulated Error
Music lovers will find this book essential reading, with stories of Mr. Hanley striving to provide first-rate sound at concert venues like Woodstock, the Newport Festivals, and the Beatles’ final tour, to mention a few. Bill Hanley is a real pioneer! Bill and brother Terry worked with my band, the Remains, in the mid-sixties, and I can say firsthand that they far exceeded any sound company we ever worked with. Until reading this book I didn’t realize the importance of what they were doing.- Barry Tashian, vocalist and guitarist with Emmylou Harris, the Remains, Barry & Holly Tashian, Gram Parsons, and Iris DeMent
The Last Seat in the House: The Story of Hanley Sound by John Kane is a must-read for anyone interested in live concert sound and its history. It is brutally honest and full of documented fascinating facts.- Stanley R. Miller, CEO of Sound Motions Inc., and previous sound engineer for Neil Diamond
This is the story of one man’s quest to provide good sound for an audience. It is the story of the creation of an industry, a journey with a rise and fall. It’s not overly technical, but it is deeply researched and well written. This story is about tenacity and invention and follows the rise of cultural events like tours by the Beatles and the Rolling Stones, festivals like Woodstock, and venues like the Fillmore East and the Café au Go Go. Come along for the ride. . . .- Robert “Nite Bob” Czaykowski, previous touring sound engineer for New York Dolls, REM, KISS, and Aerosmith
Fascinating read. . . . audio pioneering from the ‘Father of Festival Sound’ Bill Hanley and well written by John Kane- Paul "Pab" Boothroyd, Sir Paul McCartney's live sound engineer