The 10 Cent War
Comic Books, Propaganda, and World War II
The story of how the comic book industry anticipated the fight against fascism and helped sustain America's war effort
Contributions by Derek T. Buescher, Travis L. Cox, Trischa Goodnow, Jon Judy, John R. Katsion, James J. Kimble, Christina M. Knopf, Steven E. Martin, Brad Palmer, Elliott Sawyer, Deborah Clark Vance, David E. Wilt, and Zou Yizheng
One of the most overlooked aspects of the Allied war effort involved a surprising initiative--comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately, those characters proved to be persuasive icons in the war's most colorful and indelible propaganda campaign.
The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war. The contributors demonstrate that, free of government control, these appeals produced this overall imperative. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. It even considers novelty and small presses, providing a well-rounded look at the many ways that comic books served as popular propaganda.
The 10 Cent War revisits the iconic conventions of the World War II comic book--the pin-up girl heroine, the demonized Japanese antagonist, and the titular male superhero and his boyish-but-stalwart sidekick--and demonstrates that everything we think we already know about Golden Age comics needs reassessment. The contributing scholars provide fascinating close-readings of both famous and obscure works, placing them in historical context and showing that these 'funnybooks' still have much to teach us about war, propaganda, and race and gender relations that remains relevant to our own time.- Marc DiPaolo, author of War, Politics, and Superheroes: Ethics and Propaganda in Comics and Film
The 10 Cent War, edited by communication professors Trischa Goodnow and James Kimble, presents a formidable collection of essays exploring comics production as a source of relentless propaganda. Goodnow and Kimble's introduction is arguably the most succint and digestible summary of WWII-era American comics published to date, complete with a helpful overview of each essay.- Jarret Keene