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Cajun and Creole culture Acadian to Cajun: Transformation of a People, 1803-1877 Accordion Dreams : A Journey into Cajun and Creole Music Angola to Zydeco: Louisiana Lives Cajun and Creole Folktales Collected and Annotated Cajun and Creole Music Makers: Musiciens cadiens et créoles Cajun and Zydeco Dance Music in Northern California: Modern Pleasures in a Postmodern World Cajun Country Cajun Foodways Cajun Mardi Gras Masks Cajuns and Their Acadian Ancestors: A Young Reader's History The Cajuns: Americanization of a People Canoeing Louisiana Carville: Remembering Leprosy in America Christmas Stories from Louisiana Confronting Modernity: Art and Society in Louisiana Creole Trombone: Kid Ory and the Early Years of Jazz Creoles of Color in the Bayou Country Culture after the Hurricanes: Rhetoric and Reinvention on the Gulf Coast Dictionary of Louisiana French: As Spoken in Cajun, Creole, and American Indian Communities Losing Ground: Identity and Land Loss in Coastal Louisiana Louisiana Louisiana Cookery Louisiana Dayride: Fifty-two Short Trips from New Orleans Louisiana Fiddlers Louisiana Rambles: Exploring America's Cajun and Creole Heartland Louisiana Voyages: The Travel Writings of Catharine Cole Mardi Gras, Gumbo, and Zydeco: Readings in Louisiana Culture New Orleans Cuisine: Fourteen Signature Dishes and Their Histories Saving Louisiana? The Battle for Coastal Wetlands Swamp Pop: Cajun and Creole Rhythm and Blues Swapping Stories: Folktales from Louisiana TABASCO®: An Illustrated History Working the Field: Accounts from French Louisiana You Are Where You Eat: Stories and Recipes from the Neighborhoods of New Orleans Zydeco!	Download the BOOKFRIENDS newsletter BOOKFRIENDS JUKE JOINT Membership Party Join us on Facebook See our authors READ OUR BLOG On the Horizon: Scotty and Elvis When Elvis Presley first showed up at Sam Phillips’s Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special. Along with bass player Bill Black, the trio recorded an old blues number called “That’s All (read more...)