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Southern Literature Across the Creek: Faulkner Family Stories Aesthetic Frontiers: The Machiavellian Tradition and the Southern Imagination After Southern Modernism: Fiction of the Contemporary South Apostles of Light At Home Abroad: Mark Twain in Australasia Barry Hannah: Postmodern Romantic The Big Ballad Jamboree Children of the Dark House: Text and Context in Faulkner The Christ-Haunted Landscape: Faith and Doubt in Southern Fiction Conversations with Dorothy Allison Conversations with Elizabeth Spencer Conversations with Ellen Douglas Conversations with Ernest Gaines Conversations with Eudora Welty Conversations with Flannery O'Connor Conversations with Larry Brown Conversations with Lee Smith Conversations with Margaret Walker Conversations with Maya Angelou Conversations with Peter Taylor Conversations with Reynolds Price Conversations with Richard Ford Conversations with Richard Wright Conversations with Robert Penn Warren Conversations with Shelby Foote Conversations with Tennessee Williams Conversations with Thornton Wilder Conversations with Walker Percy Conversations with William Faulkner Conversations with William Styron Conversations with Willie Morris A Cormac McCarthy Companion: The Border Trilogy The Correspondence of Flannery O'Connor and the Brainard Cheneys "A Cosmos of My Own": Faulkner and Yoknapatawtha, 1980 Count No 'Count: Flashbacks to Faulkner A Daring Life: A Biography of Eudora Welty Desegregating Desire: Race and Sexuality in Cold War American Literature The Dragon's Blood: Feminist Intertextuality in Eudora Welty's 'The Golden Apples' DuBose Heyward: A Charleston Gentleman and the World of Porgy and Bess Early Escapades Eudora Welty as Photographer Eudora Welty: A Bibliography of Her Work Eudora Welty: Seeing Black and White Eudora Welty: Thirteen Essays Faulkner and Formalism: Returns of the Text Faulkner and Gender Faulkner and His Contemporaries Faulkner and Humor Faulkner and Idealism: Perspectives from Paris Faulkner and Ideology Faulkner and Material Culture Faulkner and Popular Culture Faulkner and Postmodernism Faulkner and Psychology Faulkner and Race Faulkner and Religion Faulkner and the Artist Faulkner and the Craft of Fiction Faulkner and the Ecology of the South Faulkner and the Natural World Faulkner and the Short Story Faulkner and the Southern Renaissance Faulkner and War Faulkner and Welty and the Southern Literary Tradition Faulkner and Whiteness Faulkner and Women Faulkner at 100: Retrospect and Prospect Faulkner at West Point A Faulkner Chronology Faulkner in America Faulkner in the Twenty-First Century Faulkner on the Color Line: The Later Novels Faulkner's Inheritance Faulkner's World: The Photographs of Martin J. Dain Faulkner: A Biography Faulkner: Masks and Metaphors Faulkner's Rowan Oak Faulkner's Sexualities Feminine Sense in Southern Memoir: Smith, Glasgow, Welty, Hellman, Porter, and Hurston Fire in the Morning Flannery O' Connor: An Introduction Flannery O'Connor's Religion of the Grotesque Friendship and Sympathy: Communities of Southern Women Writers Gender and the Southern Body Politic Global Faulkner The Heart of the Story: Eudora Welty's Short Fiction Inventing Southern Literature Kangaroo Hollow Katherine Anne Porter: Conversations Katherine Anne Porter: The Life of an Artist Larry Brown and the Blue-Collar South Larry Brown: A Writer's Life A Lifetime Burning Louisiana The Loved and the Unloved The Lytle-Tate Letters: The Correspondence of Andrew Lytle and Allen Tate Manners and Southern History Mississippi Writers Talking Mississippi Writers Talking II Mississippi Writers: An Anthology Mississippi Writers: Reflections of Childhood and Youth, Vol. I: Fiction Mississippi Writers: Reflections of Childhood and Youth, Vol. II: Non-fiction Mississippi Writers: Reflections of Childhood and Youth, Vol. III: Poetry Mississippi Writers: Reflections of Childhood and Youth, Vol. IV: Drama My Friend Tom: The Poet-Playwright Tennessee Williams My Mississippi My Two Oxfords My Two Oxfords New Orleans Sketches The Night Travellers Occasions: Selected Writings On the Gulf On William Faulkner One Writer's Garden: Eudora Welty's Home Place Outside the Southern Myth The Past Is Not Dead: Essays from the Southern Quarterly Personal Souths Interviews from the Southern Quarterly Perspectives on Barry Hannah Perspectives on Cormac McCarthy Perspectives on Harry Crews Perspectives on Richard Ford Poe Porgy Race and Family in the Colonial South Reading Faulkner: Absalom, Absalom! Reading Faulkner: Collected Stories Reading Faulkner: Light in August Reading Faulkner: Sanctuary Reading Faulkner: The Sound and the Fury Reading Faulkner: The Unvanquished The Rock Cried Out Sentenced to Death: The American Novel and Capital Punishment Shadow and Shelter: The Swamp in Southern Culture Shaping Memories: Reflections of African American Women Writers Shelby Foote: A Writer's Life Shelby Foote: Novelist and Historian Sitting in Darkness: New South Fiction, Education, and the Rise of Jim Crow Colonialism, 1865-1920 The Snare Speaking of the Short Story: Interviews with Contemporary Writers Still Following Percy Tennessee Williams and the South Tennessee Williams and the South A Thief of Peirce: The Letters of Kenneth Laine Ketner and Walker Percy Touring Literary Mississippi Truman Capote: Conversations The Uncollected Stories of Mary Wilkins Freeman Voice of a Native Son: The Poetics of Richard Wright Walker Percy: A Southern Wayfarer A Web of Relationship: Women in the Short Fiction of Mary Wilkins Freeman The Welty Collection: A Guide to the Eudora Welty Manuscripts and Documents at the Mississippi Department of Archives and History Welty: A Life in Literature Where the Dreams Cross Witnessing The World of Richard Wright A Writer's Eye: Collected Book Reviews The Writing Life The Years of Our Friendship: Robert Lowell and Allen Tate	Download the BOOKFRIENDS newsletter BOOKFRIENDS JUKE JOINT Membership Party Join us on Facebook See our authors READ OUR BLOG On the Horizon: Scotty and Elvis When Elvis Presley first showed up at Sam Phillips’s Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special. Along with bass player Bill Black, the trio recorded an old blues number called “That’s All (read more...)

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On the Horizon: Scotty and Elvis