Media studies

Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century

Alternative Comics: An Emerging Literature

Anything Can Happen in a Comic Strip: Centennial Reflections on an American Art Form

Arguing Comics: Literary Masters on a Popular Medium

The Art of the Comic Book: An Aesthetic History

The Art of the Funnies: An Aesthetic History

Assembling Art: The Machine and the American Avant-Garde

The Avant-Garde and American Postmodernity: Small Incisive Shocks

The Beatles: Image and the Media

Birth Chairs, Midwives, and Medicine

Black and White: Cultural Interaction in the Antebellum South

Black Writers, White Publishers: Marketplace Politics in Twentieth Century African American Literature

Black-Jewish Relations on Trial: Leo Frank and Jim Conley in the New South

Breaking the Rule of Cool: Interviewing and Reading Women Beat Writers

Changing Channels: The Civil Rights Case that Transformed Television

The Circle of Guilt

The Color of Jazz: Race and Representation in Postwar American Culture

Comic Book Culture: Fanboys and True Believers

Comic Books as History: The Narrative Art of Jack Johnson, Art Spiegelman, and Harvey Pekar

Comics as Culture

The Comics

Conversations with Hunter S. Thompson

Cool Cars, High Art: The Rise of Kustom Kulture

Country Music Culture: From Hard Times to Heaven

Covering for the Bosses: Labor and the Southern Press

Curt Flood in the Media: Baseball, Race, and the Demise of the Activist Athlete

A Decade of Dark Humor: How Comedy, Irony, and Satire Shaped Post-9/11 America

Defining New Yorker Humor

Defining Travel: Diverse Visions

Fredric Wertham and the Critique of Mass Culture

Freedom Walk: Mississippi or Bust

Garry Trudeau: Doonesbury and the Aesthetics of Satire

The Hardest Deal of All: The Battle Over School Integration in Mississippi, 1870-1980

Hi There, Boys and Girls! America's Local Children's TV Programs

The Historical Present: Uses and Abuses of the Past

History and Politics in French-Language Comics and Graphic Novels

Horror Film: Creating and Marketing Fear

Interviews with Betty Friedan

Inventing New Orleans: Writings of Lafcadio Hearn

Is There a Southern Political Tradition?

Jazz in American Culture

Ladies First: Women in Music Videos

The Language of Comics: Word and Image

Legend-Tripping Online: Supernatural Folklore and the Search for Ong's Hat

Louisiana Voyages: The Travel Writings of Catharine Cole

Martin Luther King's Biblical Epic: His Final, Great Speech

Mass Media and the Shaping of American Feminism, 1963-1975

The Mind of the South: Fifty Years Later

Moving Pictures, Migrating Identities

Newslore: Contemporary Folklore on the Internet

Nitty Gritty: A White Editor in Black Journalism

Obituaries in American Culture

Odd-Egg Editor

On Floods and Photo Ops: How Herbert Hoover and George W. Bush Exploited Catastrophes

On the Lam: Narratives of Flight in J. Edgar Hoover's America

Photographs from the Memphis World, 1949-1964

The Press and Race: Mississippi Journalists Confront the Movement

Redressing the Balance: American Women's Literary Humor from Colonial Times to the 1980s

Remaking Dixie: The Impact of World War II on the American South

The Rise of David Duke

The Role of Ideas in the Civil Rights South

Scoop: The Evolution of a Southern Reporter

Sidelines Activist: Charles S. Johnson and the Struggle for Civil Rights

Slavery, Propaganda, and the American Revolution

Spheres of Liberty: Changing Perceptions of Liberty in American Culture

Stories of Oprah: The Oprahfication of American Culture

The Survival of Soap Opera: Transformations for a New Media Era

Tupelo Man: The Life and Times of George McLean, a Most Peculiar Newspaper Publisher

Unexpected Places: Relocating Nineteenth-Century African American Literature

Warring Fictions: Cultural Politics and the Vietnam War Narrative

Whitewashing America: Material Culture and Race in the Antebellum Imagination

World War I and the Cultures of Modernity

A Writer's Eye: Collected Book Reviews

Writings of Frank Marshall Davis: A Voice of the Black Press

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On the Horizon: Scotty and Elvis

When Elvis Presley first showed up at Sam Phillips’s Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special.  Along with bass player Bill Black, the trio recorded an old blues number called “That’s All

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