Folklore

78 Blues: Folksongs and Phonographs in the American South

Alan Lomax, Assistant in Charge: The Library of Congress Letters, 1935-1945

Aliens, Ghosts, and Cults: Legends We Live

The Artistry of Afro-Cuban Bata Drumming: Aesthetics, transmission, Bonding, and creativity

Black Rock : A Zuni Cultural Landscape and the Meaning of Place

Bloody Mary in the Mirror: Essays in Psychoanalytic Folkloristics

Blue Ridge Folklife

Bluebeard: A Reader's Guide to the English Tradition

Bodies: Sex, Violence, Disease, and Death in Contemporary Legend

Cajun and Creole Folktales Collected and Annotated

Cajun Country

Campus Traditions: Folklore from the Old-Time College to the Modern Mega-University

Carolina Piedmont Country

Chicano Graffiti and Murals: The Neighborhood Art of Peter Quezada

Choctaw Tales

Crafted Lives: Stories and Studies of African American Quilters

Creoles of Color in the Bayou Country

Creolization as Cultural Creativity

The Florida Folklife Reader

From Every Stage: Images of America's Roots Music

Ghost Dancing on the Cracker Circuit: The Culture of Festivals in the American South

Ghost Hunters of the South

Ghosts along the Mississippi River

The Glenbuchat Ballads

Great Smoky Mountains Folklife

Haitian Vodou Flags

Haunted Halls: Ghostlore of American College Campuses

The Jumbies' Playing Ground: Old World Influences on Afro-Creole Masquerades in the Eastern Caribbean

Kentucky Bluegrass Country

Legend-Tripping Online: Supernatural Folklore and the Search for Ong's Hat

Made in Mexico: Tradition, Tourism, and Political Ferment in Oaxaca

Mardi Gras, Gumbo, and Zydeco: Readings in Louisiana Culture

Miracles of the Spirit: Folk, Art, and Stories from Wisconsin

Mother Wit from the Laughing Barrel: Readings in the Interpretation of Afro-American Folklore

Muffler Men

Mule Trader: Ray Lum's Tales of Horses, Mules, and Men

Newslore: Contemporary Folklore on the Internet

Not Just Child's Play: Emerging Tradition and the Lost Boys of Sudan

Organ Theft Legends

Ozark Country

Peyote Religious Art: Symbols of Faith and Belief

Public Folklore

Recentering Anglo/American Folksong: Sea Crabs and Wicked Youths

Recess Battles: Playing, Fighting, and Storytelling

Riddling Tales from around the World

Roots of a Region: Southern Folk Culture

Santeria Garments and Altars: Speaking Without a Voice

Scottish Traveller Tales: Lives Shaped through Stories

Shenandoah Valley Folklife

South Florida Folklife

Southern Fiddlers and Fiddle Contests

A Spiral Way: How the Phonograph Changed Ethnography

The Story-Time of the British Empire: Colonial and Postcolonial Folkloristics

Suddenly They Heard Footsteps: Storytelling for the Twenty-first Century

Swapping Stories: Folktales from Louisiana

Tales of the Bark Lodges

Talking Trauma

Troubling Violence: A Performance Project

Uncle Monday and Other Florida Tales

Upper Cumberland Country

Vietnam Remembered: The Folk Art of Marine Combat Veteran Michael D. Cousino, Sr.

Wiregrass Country

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On the Horizon: Scotty and Elvis

When Elvis Presley first showed up at Sam Phillips’s Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special.  Along with bass player Bill Black, the trio recorded an old blues number called “That’s All

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