Margaret Walker Alexander Series in African American Studies

New perspectives on African American history, literature, and art, and politics. Recent titles include: Raymond Pace Alexander: A New Negro Lawyer Fights for Civil Rights in Philadelphia; African American Preachers and Politics.

Aaron Henry: The Fire Ever Burning

African American Preachers and Politics: The Careys of Chicago

African American Religion and the Civil Rights Movement in Arkansas

All Stories Are True: History, Myth, and Trauma in the Work of John Edgar Wideman

Beaches, Blood, and Ballots: A Black Doctor's Civil Rights Struggle

The Black Cultural Front: Black Writers and Artists of the Depression Generation

Borders of Equality: The NAACP and the Baltimore Civil Rights Struggle, 1914-1970

Can Anything Beat White? A Black Family's Letters

City Son: Andrew W. Cooper's Impact on Modern-Day Brooklyn

Count Them One by One: Black Mississippians Fighting for the Right to Vote

Daisy Bates: Civil Rights Crusader from Arkansas

In the Lion's Mouth: Black Populism in the New South, 1886-1900

Jennie Carter: A Black Journalist of the Early West

Justice Older than the Law: The Life of Dovey Johnson Roundtree

Lockstep and Dance: Images of Black Men in Popular Culture

Making a Way out of No Way: African American Women and the Second Great Migration

Nationalism, Marxism, and African American Literature between the Wars: A New Pandora's Box

The Other World of Richard Wright: Perspectives on His Haiku

Passing in the Works of Charles W. Chesnutt

Perspectives on Percival Everett

The Politics of Paul Robeson's Othello

The Postwar African American Novel: Protest and Discontent, 1945-1950

Raymond Pace Alexander: A New Negro Lawyer Fights for Civil Rights in Philadelphia

Remembering Reet and Shine: Two Black Men, One Struggle

Searching for the New Black Man: Black Masculinity and Women's Bodies

Shadowing Ralph Ellison

The Speeches of Fannie Lou Hamer To Tell It Like It Is

Unexpected Places: Relocating Nineteenth-Century African American Literature

Visionary Women Writers of Chicago's Black Arts Movement

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On the Horizon: Scotty and Elvis

When Elvis Presley first showed up at Sam Phillips’s Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special.  Along with bass player Bill Black, the trio recorded an old blues number called “That’s All

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