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Ann J. Abadie "A Cosmos of My Own": Faulkner and Yoknapatawtha, 1980 Faulkner and Formalism: Returns of the Text Faulkner and Gender Faulkner and His Contemporaries Faulkner and Humor Faulkner and Ideology Faulkner and Material Culture Faulkner and Popular Culture Faulkner and Postmodernism Faulkner and Psychology Faulkner and Race Faulkner and Religion Faulkner and the Artist Faulkner and the Craft of Fiction Faulkner and the Ecology of the South Faulkner and the Natural World Faulkner and the Short Story Faulkner and the Southern Renaissance Faulkner and War Faulkner and Women Faulkner at 100: Retrospect and Prospect Faulkner in America Faulkner in the Twenty-First Century Faulkner's Inheritance Faulkner's Sexualities Global Faulkner The South and Faulkner's Yoknapatawpha: The Actual and the Apocryphal	Download the BOOKFRIENDS newsletter BOOKFRIENDS JUKE JOINT Membership Party Join us on Facebook See our authors READ OUR BLOG On the Horizon: Scotty and Elvis When Elvis Presley first showed up at Sam Phillips’s Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special. Along with bass player Bill Black, the trio recorded an old blues number called “That’s All (read more...)