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Browse by Title [ A ] [ B ] [ C ] [ D ] [ E ] [ F ] [ G ] [ H ] [ I ] [ J ] [ K ] [ L ] [ M ] [ N ] [ O ] [ P ] [ Q ] [ R ] [ S ] [ T ] [ U ] [ V ] [ W ] [ X ] [ Y ] [ Z ] [ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] Obituaries in American Culture Occasions: Selected Writings Odd-Egg Editor Of Comics and Men: A Cultural History of American Comic Books Of Comics and Men: A Cultural History of American Comic Books Of Times and Race: Essays Inspired by John F. Marszalek Oil in the Deep South: A History of the Oil Business in Mississippi, Alabama, and Florida, 1859-1945 Okefenokee Photographs Olden Times Revisited: W. L. Clayton's Pen Pictures Oliver Stone: Interviews On Floods and Photo Ops: How Herbert Hoover and George W. Bush Exploited Catastrophes On Island Time: Kayaking the Caribbean On My Way: The Arts of Sarah Albritton On the Ground: The Black Panther Party in Communities across America On the Gulf On the Lam: Narratives of Flight in J. Edgar Hoover's America On the Wall: Four Decades of Community Murals in New York City On William Faulkner On William Hollingsworth, Jr. One Time, One Place: Mississippi in the Depression: A Snapshot Album One World, Two Artists: John Alexander and Walter Anderson One Writer's Garden: Eudora Welty's Home Place Operation Pretense: The FBI's Sting on County Corruption in Mississippi Oraien Catledge: Photographs Organ Theft Legends Orson Welles: Interviews The Other Carl Sandburg The Other World of Richard Wright: Perspectives on His Haiku Ousmane Sembène: Interviews Out of Sight: The Rise of African American Popular Music, 1889-1895 Out of the Past: Adventures in Film Noir Out of the Shadow of Leprosy: The Carville Letters and Stories of the Landry Family Outside the Southern Myth Overseas American: Growing Up Gringo in the Tropics Ozark Country	Download the BOOKFRIENDS newsletter BOOKFRIENDS JUKE JOINT Membership Party Join us on Facebook See our authors READ OUR BLOG On the Horizon: Scotty and Elvis When Elvis Presley first showed up at Sam Phillips’s Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special. Along with bass player Bill Black, the trio recorded an old blues number called “That’s All (read more...)