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Browse by Title [ A ] [ B ] [ C ] [ D ] [ E ] [ F ] [ G ] [ H ] [ I ] [ J ] [ K ] [ L ] [ M ] [ N ] [ O ] [ P ] [ Q ] [ R ] [ S ] [ T ] [ U ] [ V ] [ W ] [ X ] [ Y ] [ Z ] [ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 8 ] [ 9 ] I Always Wanted to Fly: America's Cold War Airmen I Am a Craftsman: 40 at 40: Celebrating the 40th Anniversary of the Craftsmen's Guild of Mississippi with 40 of its Exhibiting Members The Identity Question: Blacks and Jews in Europe and America Ike's Spies: Eisenhower and the Espionage Establishment Illustrations of Epic and Voyage Imari: Japanese Porcelain for European Palaces: The Freda and Ralph Lupin Collection In Close Harmony: The Story of the Louvin Brothers In the Lion's Mouth: Black Populism in the New South, 1886-1900 In the Southern Wild Photographs Ingmar Bergman: Interviews Inherit the Land: Jim Crow Meets Miss Maggie's Will Inland Fishes of Mississippi Inside Peyton Place: The Life of Grace Metalious Inside the Hollywood Fan Magazine: A History of Star Makers, Fabricators, and Gossip Mongers The Intelligent Eye, Reality Re-Seen: Recent Paintings by William Baggett Interviews with Betty Friedan Interviews with Dwight MacDonald Interviews with Edward W. Said Interviews with George F. Kennan Interviews with John Kenneth Galbraith Interviews with Writers of the Post-Colonial World Inventing New Orleans: Writings of Lafcadio Hearn Inventing Southern Literature Invisible Suburbs: Recovering Protest Fiction in the 1950s United States Is There a Southern Political Tradition? Isaac Bashevis Singer: Conversations It Happened by Design: The Life and Work of Arthur Q. Davis Iwao Takamoto: My Life with a Thousand Characters I'm Feeling the Blues Right Now: Blues Tourism and the Mississippi Delta	Download the BOOKFRIENDS newsletter BOOKFRIENDS JUKE JOINT Membership Party Join us on Facebook See our authors READ OUR BLOG On the Horizon: Scotty and Elvis When Elvis Presley first showed up at Sam Phillips’s Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special. Along with bass player Bill Black, the trio recorded an old blues number called “That’s All (read more...)