Fabergé: The Hodges Family Collection

Fabulous Provinces

Falling Through Space: The Journals of Ellen Gilchrist

Fame to Infamy: Race, Sport, and the Fall from Grace

Father of the Comic Strip: Rodolphe Töpffer

Faulkner and Formalism: Returns of the Text

Faulkner and Gender

Faulkner and His Contemporaries

Faulkner and Humor

Faulkner and Idealism: Perspectives from Paris

Faulkner and Ideology

Faulkner and Material Culture

Faulkner and Popular Culture

Faulkner and Postmodernism

Faulkner and Psychology

Faulkner and Race

Faulkner and Religion

Faulkner and the Artist

Faulkner and the Craft of Fiction

Faulkner and the Ecology of the South

Faulkner and the Natural World

Faulkner and the Short Story

Faulkner and the Southern Renaissance

Faulkner and War

Faulkner and Welty and the Southern Literary Tradition

Faulkner and Whiteness

Faulkner and Women

Faulkner at 100: Retrospect and Prospect

Faulkner at West Point

A Faulkner Chronology

Faulkner in America

Faulkner in the Twenty-First Century

Faulkner on the Color Line: The Later Novels

Faulkner's Inheritance

Faulkner's World: The Photographs of Martin J. Dain

Faulkner: A Biography

Faulkner: Masks and Metaphors

Faulkner's Rowan Oak

Faulkner's Sexualities

FDR's Utopian: Arthur Morgan of the TVA

Feminine Sense in Southern Memoir: Smith, Glasgow, Welty, Hellman, Porter, and Hurston

Feminism, the Left, and Postwar Literary Culture

Feminist Alternatives: Irony and Fantasy in the Contemporary Novel by Women

Festive Revolutions: The Politics of Popular Theater and the San Francisco Mime Troupe

Fiddling Way Out Yonder: The Life and Music of Melvin Wine

Fighting and Writing the Vietnam War

Film and Comic Books

The Films of Martin Ritt: Fanfare for the Common Man

Finding a Way Home: A Critical Assessment of Walter Mosley's Fiction

Fire in the Morning

The First Story

Fishing Mississippi

Flannery O' Connor: An Introduction

Flannery O'Connor's Religion of the Grotesque

The Florida Folklife Reader

Florida's Miracle Strip: From Redneck Riviera to Emerald Coast

Flying Free: Twentieth-Century Self-Taught Art from the Collection of Ellin and Baron Gordon

Folk Music and Modern Sound

Folklore Recycled: Old Traditions in New Contexts

For Us, the Living

Forever Mame: The Life of Rosalind Russell

Form and Fantasy: The Block Prints of Walter Anderson

Forms of Tradition in Contemporary Spain

Fortune's Favorite Child: The Uneasy Life of Walter Anderson

Foster Care Odyssey: A Black Girl's Story

The Four Dog Blues Band,: Or How Chester, Boy, Dog in the Fog, and Diva Took the Big City by Storm

Fourteen on Form: Conversations with Poets

Francis Ford Coppola: Interviews

François Truffaut: Interviews

Frank Capra: The Catastrophe of Success

Frank Capra: Interviews

Fred Zinnemann: Interviews

Fredric Wertham and the Critique of Mass Culture

Freedom Walk: Mississippi or Bust

French Art of Four Centuries

French Quarter Manual: An Architectural Guide

The French Quarter of New Orleans

Friendship and Sympathy: Communities of Southern Women Writers

Fritz Lang: Interviews

From Buchenwald to Carnegie Hall

From Every Stage: Images of America's Roots Music

From Midnight To Guntown: True Crime Stories from a Federal Prosecutor in Mississippi

The Fruits of Integration: Black Middle-Class Ideology and Culture, 1960-1990

The Fugitive Race: Minority Writers Resisting Whiteness

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On the Horizon: Scotty and Elvis

When Elvis Presley first showed up at Sam Phillips’s Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special.  Along with bass player Bill Black, the trio recorded an old blues number called “That’s All

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