Earl Hooker, Blues Master

Early Escapades

Ed McGowin, Name Change: One Artist, Twelve Personas, Thirty-five Years

Eddy Arnold: Pioneer of the Nashville Sound

The Egg Bowl: Mississippi State vs. Ole Miss Second Edition

Elia Kazan: Interviews

Elie Wiesel: Conversations

Ellen S. Woodward: New Deal Advocate for Women

Elvis and Gladys

Emmett Till and the Mississippi Press

Empire and Slavery in American Literature, 1820-1865

The Enchanted Quest of Dana and Ginger Lamb

Enclave: Vicksburg and Her Plantations, 1863-1870

The Encyclopedia of Vaudeville

Eric Rohmer: Interviews

Errol Morris: Interviews

Erskine Caldwell Reconsidered

Escape from Archangel: An American Merchant Seaman at War

The Essence of Herbs: An Environmental Guide to Herb Gardening

Ethnic Heritage in Mississippi

Ethnic Heritage in Mississippi: The Twentieth Century

Eudora Welty and Surrealism

Eudora Welty as Photographer

Eudora Welty: A Bibliography of Her Work

Eudora Welty: Seeing Black and White

Eudora Welty: Thirteen Essays

Evelyn's Husband

Exploring American Folk Music: Ethnic, Grassroots, and Regional Traditions in the United States

Exploring Coastal Mississippi: A Guide to the Marine Waters and Islands

Eyes of an Eagle: Jean-Pierre Cenac, Patriarch: An Illustrated History of Early Houma-Terrebonne

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On the Horizon: Scotty and Elvis

When Elvis Presley first showed up at Sam Phillips’s Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special.  Along with bass player Bill Black, the trio recorded an old blues number called “That’s All

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