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Working-Class+Comic+Book+Heroes%3Cbr+%2F%3E+Class+Conflict+and+Populist+Politics+in+Comics

Working-Class Comic Book Heroes
Class Conflict and Populist Politics in Comics

Edited by Marc DiPaolo

240 pages (approx.), 6 x 9 inches, 45 b&w illustrations

9781496816641 Printed casebinding $90.00S

9781496818188 Paper $30.00S

Printed casebinding, $90.00

Paper, $30.00

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* In 2018-2019 University Press of Mississippi will close for the holidays on Friday, December 21, 2018, and will reopen Wednesday, January 2, 2019. Orders sent by Paypal through Friday, December 14, at 11 a.m. Central will ship in time for Christmas. If you are not ordering for the holidays, please leave us a note in Paypal. After December 14, customers desiring shipping before Christmas should call 1.800.737.7788 and ask for rush delivery. Please be prepared to pay extra for rapid shipping. Orders that come to our website after these dates will begin shipping on January 2, 2019.

The first book to tackle the blue-collar hero and working class creators

Contributions by Phil Bevin, Blair Davis, Mark DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. Wandtke

In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters.

Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures.

The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.

Marc DiPaolo, Weatherford, Oklahoma, is assistant professor of English at Southwestern Oklahoma State University. He is author of Fire & Snow: Climate Fiction from the Inklings to "Game of Thrones"; War, Politics and Superheroes: Ethics and Propaganda in Comics and Film; and Emma Adapted: Jane Austen's Heroine from Book to Film. He has edited five collections of scholarly essays on intersections of film, literature, politics, and religion, and has been interviewed on NPR and BBC 4.

240 pages (approx.), 6 x 9 inches, 45 b&w illustrations