George P. Knauff's Virginia Reels and the History of American Fiddling

By Chris Goertzen

256 pages (approx.), 6 x 9 inches, 66 b&w illustrations, 6 tables, appendices, bibliography, index

9781496814272 Printed casebinding $65.00S

Printed casebinding, $65.00


* In 2017-2018 University Press of Mississippi is closed for the holidays Thursday, December 21, and will reopen Tuesday, January 2, 2018. Orders sent by Paypal through Tuesday, December 12, will ship in time for Christmas. IF YOU ARE NOT ORDERING FOR THE HOLIDAYS, PLEASE LEAVE US A NOTE IN PAYPAL. After December 12, customers desiring shipping before Christmas should call 1.800.737.7788 and ask for rush delivery. Please be prepared to pay extra for rapid shipping. Orders that come to our website through the holidays (December 21, 2017-January 2, 2018) will begin shipping on January 2, 2018.

A study of the seminal nineteenth-century fiddle tune collection and its lasting impact

George P. Knauff's Virginia Reels (1839) was the first collection of southern fiddle tunes and the only substantial one published in the nineteenth century. Knauff's activity could not anticipate our modern contest-driven fiddle subcultures. But the fate of the Virginia Reels pointed in that direction, suggesting that southern fiddling, after his time, would happen outside of commercial popular culture even though it would sporadically engage that culture. Chris Goertzen uses this seminal collection as the springboard for a fresh exploration of fiddling in America, past and present. He first discusses the life of the arranger. Then he explains how this collection was meant to fit into the broad stream of early nineteenth- century music publishing. Goertzen describes the character of these fiddle tunes' names (and such titles in general), what we can learn about antebellum oral tradition from this collection, and how fiddling relates to blackface minstrelsy.

Throughout the book, the author connects the evidence concerning both repertoire and practice found in the Virginia Reels with current southern fiddling, encompassing styles ranging from straightforward to fancy--old-time styles of the Upper South, exuberant West Virginia styles, and the melodic improvisations of modern contest fiddling. Twenty-six song sheets assist in this discovery. Goertzen incorporates performance descriptions and music terminology into his accessible, engaging prose. Unlike the vast majority of books on American fiddling--regional tune collections or histories--this book presents an extended look at the history of southern fiddling and a close examination of current practices.

Chris Goertzen, Slidell, Louisiana, is professor of music history at the University of Southern Mississippi. His earlier books are Fiddling for Norway: Revival and Identity; Southern Fiddlers and Fiddle Contests; and Made in Mexico: Tradition, Tourism, and Political Ferment in Oaxaca, the latter two published by University Press of Mississippi.

256 pages (approx.), 6 x 9 inches, 66 b&w illustrations, 6 tables, appendices, bibliography, index