Beyond Windrush
Rethinking Postwar Anglophone Caribbean Literature

Edited by J. Dillon Brown
and Leah Reade Rosenberg

234 pages, 6 x 9 inches, 1 b&w illustration, 3 maps, introduction, epilogue, index

978-1-62846-475-7 Printed casebinding $60.00S

978-1-4968-1304-6 Paper $30.00S

Printed casebinding, $60.00

Paper, $30.00

A challenge to the primacy of the Windrush generation as the sole founders of Caribbean literature

Contributions by Edward Baugh, Michael A. Bucknor, Raphael Dalleo, Alison Donnell, Nadia Ellis, Donette Francis, Glyne Griffith, Kate Houlden, Evelyn O'Callaghan, Lisa Outar, Atreyee Phukan, Kim Robinson- Walcott, Faith Smith, and Michelle A. Stephens

This edited collection challenges a long sacrosanct paradigm. Since the establishment of Caribbean literary studies, scholars have exalted an elite cohort of émigré novelists based in postwar London, a group often referred to as "the Windrush writers" in tribute to the SS Empire Windrush, whose 1948 voyage from Jamaica inaugurated largescale Caribbean migration to London. In critical accounts this group is typically reduced to the canonical troika of V. S. Naipaul, George Lamming, and Sam Selvon, effectively treating these three authors as the tradition's founding fathers. These "founders" have been properly celebrated for producing a complex, anticolonial, nationalist literature. However, their canonization has obscured the great diversity of postwar Caribbean writers, producing an enduring but narrow definition of West Indian literature.

Beyond Windrush stands out as the first book to reexamine and redefine the writing of this crucial era. Its fourteen original essays make clear that in the 1950s there was already a wide spectrum of West Indian men and women-Afro-Caribbean, Indo-Caribbean, and white-creole-who were writing, publishing, and even painting. Many lived in the Caribbean and North America, rather than London. Moreover, these writers addressed subjects overlooked in the more conventionally conceived canon, including topics such as queer sexuality and the environment. This collection offers new readings of canonical authors (Lamming, Roger Mais, and Andrew Salkey); hitherto marginalized authors (Ismith Khan, Elma Napier, and John Hearne); and commonly ignored genres (memoir, short stories, and journalism).

J. Dillon Brown, St. Louis, Missouri, is associate professor of English and African and African American studies at Washington University in St. Louis. He is author of Migrant Modernism: Postwar London and the West Indian Novel. Leah Reade Rosenberg, Gainesville, Florida, is associate professor of English at the University of Florida. She is the author of Nationalism and the Formation of Caribbean Literature.

234 pages, 6 x 9 inches, 1 b&w illustration, 3 maps, introduction, epilogue, index