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Negotiating+Difference+in+French+Louisiana+Music%3Cbr+%2F%3E+Categories%2C+Stereotypes%2C+and+Identifications

Negotiating Difference in French Louisiana Music
Categories, Stereotypes, and Identifications

By Sara Le Menestrel

400 pages (approx.), 6 x 9 inches, 25 color illustrations, 20 b&w illustrations, 4 graphs, bibliography, index

978-1-62846-145-9 Printed casebinding $75.00S

978-1-4968-1317-6 Paper $30.00S

Printed casebinding, $75.00

Paper, $30.00

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How Louisiana musicians and audiences negotiate with difference and shape a common musical heritage

Visit the author's blog at slm.hypotheses.org

Sara Le Menestrel explores the role of music in constructing, asserting, erasing, and negotiating differences based on the notions of race, ethnicity, class, and region. She discusses established notions and brings to light social stereotypes and hierarchies at work in the evolving French Louisiana music field. She also draws attention to the interactions between oppositions such as black and white, urban and rural, differentiation and creolization, and local and global.

Le Menestrel emphasizes the importance of desegregating the understanding of French Louisiana music and situating it beyond ethnic or racial identifications, amplifying instead the importance of regional identity. Musical genealogy and categories currently in use rely on a racial construct that frames African and European lineage as an essential difference. Yet as the author samples music in the field and discovers ways music is actually practiced, she reveals how the insistence on origins continually interacts with an emphasis on cultural mixing and creative agency. This book finds French Louisiana musicians navigating between multiple identifications, musical styles, and legacies while market forces, outsiders' interest, and geographical mobility also contribute to shape musicians' career strategies and artistic choices.

The book also demonstrates the decisive role of non-natives' enthusiasm and mobility in the validation, evolution, and reconfiguration of French Louisiana music. Finally, the distinctiveness of South Louisiana from the rest of the country appears to be both nurtured and endured by locals, revealing how political domination and regionalism intertwine.

Sara Le Menestrel, Paris, France, is a cultural anthropologist and a research fellow at the National Center for Scientific Research in Paris. Her research interests include the anthropology of music and the anthropology of disaster through post-Katrina and post-Rita Louisiana. She is coeditor of Working the Field: Accounts from French Louisiana, also published by University Press of Mississippi.

400 pages (approx.), 6 x 9 inches, 25 color illustrations, 20 b&w illustrations, 4 graphs, bibliography, index