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A+Thousand+Cuts%3Cbr+%2F%3E+The+Bizarre+Underground+World+of+Collectors+and+Dealers+Who+Saved+the+Movies

A Thousand Cuts
The Bizarre Underground World of Collectors and Dealers Who Saved the Movies

By Dennis Bartok
and Jeff Joseph

240 pages (approx.), 6 x 9 inches, 47 b&w illustrations, glossary, bibliography, index

9781496807731 Cloth $28.00T

Cloth, $28.00

THE COLORFUL, COMPULSIVE, SECRETIVE HISTORY OF FAMOUS AND INFAMOUS FILM FIENDS

A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays.

The book includes the stories of film historian/critic Leonard Maltin, TCM host Robert Osborne discussing Rock Hudson's secret 1970s film vault, RoboCop producer Jon Davison dropping acid and screening King Kong with Jefferson Airplane at the Fillmore East, and Academy Award-winning film historian Kevin Brownlow recounting his decades-long quest to restore the 1927 Napoleon. Other lesser-known but equally fascinating subjects include one-legged former Broadway dancer Tony Turano, who lives in a Norma Desmond-like world of decaying movie memories, and notorious film pirate Al Beardsley, one of the men responsible for putting O. J. Simpson behind bars.

Authors Dennis Bartok and Jeff Joseph examine one of the least-known episodes in modern legal history: the FBI's and Justice Department's campaign to harass, intimidate, and arrest film dealers and collectors in the early 1970s. Many of those persecuted were gay men. Victims included Planet of the Apes star Roddy McDowall, who was arrested in 1974 for film collecting and forced to name names of fellow collectors, including Rock Hudson and Mel Tormé.

A Thousand Cuts explores the obsessions of the colorful individuals who created their own screening rooms, spent vast sums, negotiated underground networks, and even risked legal jeopardy to pursue their passion for real, physical film.

DENNIS BARTOK, Burbank, California, is a filmmaker and screenwriter, and currently head of distribution for art-house distributor Cinelicious Pics. He was formerly head of programming for the American Cinematheque's Egyptian Theatre in Hollywood. JEFF JOSEPH, Littlerock, California, is a motion picture archivist and formerly one of the best-known film dealers in the United States. Jeff and his wife Lauren were the owners of SabuCat Productions. He is currently working with the UCLA Film and TV Archive in restoring the Hal Roach/Laurel and Hardy library.

240 pages (approx.), 6 x 9 inches, 47 b&w illustrations, glossary, bibliography, index