The Comics Of Joe Sacco
Journalism in a Visual World

Edited by Daniel Worden

272 pages (approx.), 6 x 9 inches, 29 b&w illustrations, introduction, appendix, bibliography, index

9781496802217 Printed casebinding $60.00S

978-1-4968-1470-8 Paper $30.00S

Printed casebinding, $60.00

Paper, $30.00

The first book-length study of the acclaimed artist who brought journalistic reportage to comics

Contributors: Georgiana Banita, Lan Dong, Ann D'Orazio, Kevin C. Dunn, Alexander Dunst, Jared Gardner, Edward C. Holland, Isabel Macdonald, Brigid Maher, Ben Owen, Rebecca Scherr, Maureen Shay, Marc Singer, Richard Todd Stafford, and Øyvind Vågnes

The Comics of Joe Sacco addresses the range of his award-winning work, from his early comics stories as well as his ground-breaking journalism Palestine (1993) and Safe Area to Gorade (2000), to Footnotes in Gaza (2009) and his most recent book The Great War (2013), a graphic history of World War I.

First in the new series Critical Approaches to Comics Artists, this edited volume explores Sacco's comics journalism, and features established and emerging scholars from comics studies, cultural studies, geography, literary studies, political science, and communication studies. Sacco's work has already found a place in some of the foundational scholarship in comics studies, and this book solidifies his role as one of the most important comics artists today.

Sections focus on how Sacco's comics journalism critiques and employs the "standard of objectivity" in mainstream reporting, what aesthetic principles and approaches to lived experience can be found in his comics, how Sacco employs the space of the comics page to map history and war, and the ways that his comics function in the classroom and as human rights activism. The Comics of Joe Sacco offers definitive, exciting approaches to some of the most important--and necessary--comics today, by one of the most acclaimed journalist-artists of our time.

DANIEL WORDEN, Albuquerque, New Mexico, is associate professor of English at the University of New Mexico. He is the author of Masculine Style: The American West and Literary Modernism and the coeditor of Oil Culture.

272 pages (approx.), 6 x 9 inches, 29 b&w illustrations, introduction, appendix, bibliography, index