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Richard Dyer-Bennet
The Last Minstrel

By Paul O. Jenkins
Foreword by Bonnie Dyer-Bennet

192 pages (approx.), 6 x 9 inches, 20 b&w illustrations, appendix, bibliography, discography, index

978-1-60473-360-0 Cloth $50.00S

978-1-61703-205-9 Paper $30.00D

Cloth, $50.00

Paper, $30.00

A biography of the first solo folk musician to play Carnegie Hall and a staunch preserver of European styles

In the 1940s and '50s, Richard Dyer-Bennet (1913-1991) was among the best known and most respected folk singers in America. Paul O. Jenkins tells, for the first time, the story of Dyer-Bennet, often referred to as the "Twentieth-Century Minstrel." Dyer-Bennet's approach to singing sounded almost foreign to many American listeners. The folk artist followed a musical tradition in danger of dying out. The Swede Sven Scholander was the last European proponent of minstrelsy and served as Dyer-Bennet's inspiration after the young singer traveled to Stockholm to meet him one year before Scholander's death.

Dyer-Bennet's achievements were many. Nine years after his meeting with Scholander, he became the first solo performer of his kind to appear in Carnegie Hall. This book argues Dyer- Bennet helped pave the way for the folk boom of the mid-1950s and early 1960s, finding his influence in the work of Joan Baez, Judy Collins, and many others. It also posits strong evidence that Dyer-Bennet would certainly be much better known today had his career not been interrupted midstream by the anticommunist, Red-scare blacklist and its ban on his performances.

Paul O. Jenkins is the director of library services at College of Mount St. Joseph in Cincinnati, Ohio. He has published articles in Old-Time Herald and College and Research Libraries News. He received the New York Times Academic Librarian Award in 2006.

192 pages (approx.), 6 x 9 inches, 20 b&w illustrations, appendix, bibliography, discography, index