vicksburg_sentinels_of_stone.jpg

Albert and David Maysles
Interviews

Edited by Keith Beattie

224 pages (approx.), 6 x 9 inches, introduction, chronology, filmography, index

978-1-60473-365-5 Paper $25.00T

Paper, $25.00

image

* In 2018-2019 University Press of Mississippi will close for the holidays on Friday, December 21, 2018, and will reopen Wednesday, January 2, 2019. Orders sent by Paypal through Friday, December 14, at 11 a.m. Central will ship in time for Christmas. If you are not ordering for the holidays, please leave us a note in Paypal. After December 14, customers desiring shipping before Christmas should call 1.800.737.7788 and ask for rush delivery. Please be prepared to pay extra for rapid shipping. Orders that come to our website after these dates will begin shipping on January 2, 2019.

"People sometimes criticize some documentary filmmakers for making a personal film, but the strongest works of art are personal."

In Albert and David Maysles: Interviews, editor Keith Beattie has compiled a wide-ranging collection in which the brothers, together and separately, discuss all aspects of their filmmaking--the nature of collaboration, technical matters, contextual considerations, and more. They recount a personal history of cinéma vérité and modern documentary filmmaking.

The prolific joint career of the brothers has defined documentary filmmaking in the United States. From their first films in the late 1950s until the recent films of Albert Maysles (b. 1926), the brothers' pioneering development of the "direct cinema," or cinéma vérité, style of documentary filmmaking has significantly altered the ways in which the world appears in nonfiction representations. Their influential movies--including the early feature Salesman, the renowned foundational rock concert film Gimme Shelter, and the dual biography Grey Gardens--have affected the aesthetics of fiction filmmaking as well. Since the death of David Maysles (1931-1987), Albert Maysles has continued to make films and has further contributed to the development of the documentary form.

Keith Beattie is a faculty member of arts at Deakin University, Melbourne (Australia). He is the author of Documentary Screens: Non-Fiction Film and Television and Documentary Display: Re-Viewing Nonfiction Film and Video, and coeditor of The Cinema of Australia and New Zealand.

224 pages (approx.), 6 x 9 inches, introduction, chronology, filmography, index