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A Trumpet around the Corner
The Story of New Orleans Jazz

By Samuel Charters

400 pages (approx.), 6 1/8 x 9 1/4 inches, 64 b&w illustrations, bibliography, index

9781578068982 Cloth $40.00T

Cloth, $40.00

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* In 2017-2018 University Press of Mississippi is closed for the holidays Thursday, December 21, and will reopen Tuesday, January 2, 2018. Orders sent by Paypal through Tuesday, December 12, will ship in time for Christmas. IF YOU ARE NOT ORDERING FOR THE HOLIDAYS, PLEASE LEAVE US A NOTE IN PAYPAL. After December 12, customers desiring shipping before Christmas should call 1.800.737.7788 and ask for rush delivery. Please be prepared to pay extra for rapid shipping. Orders that come to our website through the holidays (December 21, 2017-January 2, 2018) will begin shipping on January 2, 2018.

From the first raucous chorus to the aftermath of Katrina, the saga of the Big Easy's signature music

Samuel Charters has been studying and writing about New Orleans music for more than fifty years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. Although there is still controversy over the racial origins and cultural sources of New Orleans jazz, Charters provides a balanced assessment of the role played by all three of the city's musical lineages--African American, white, and Creole--in jazz's formative years. Charters also maps the inroads blazed by the city's Italian immigrant musicians, who left their own imprint on the emerging styles.

The study is based on the author's own interviews, begun in the 1950s, on the extensive material gathered by the Oral History Project in New Orleans, on the recent scholarship of a new generation of writers, and on an exhaustive examination of related newspaper files from the jazz era. The book extends the study area of his earlier book Jazz: New Orleans, 1885-1957, and breaks new ground with its in-depth discussion of the earliest New Orleans recordings. A Trumpet around the Corner for the first time brings the story up to the present, describing the worldwide interest in the New Orleans jazz revival of the 1950s and 1960s, and the exciting resurgence of the brass bands of the last decades. The book discusses the renewed concern over New Orleans's musical heritage, which is at great risk after the catastrophe of Hurricane Katrina's floodwaters.

Samuel Charters (1929-2015) is the author of the award-winning The Roots of the Blues. He is also the author of Songs of Sorrow: Lucy McKim Garrison and "Slave Songs of the United States" and coauthor of Brother-Souls: John Clellon Holmes, Jack Kerouac, and the Beat Generation, both from University Press of Mississippi. He was a Grammy-winning record producer, musician, poet, and fiction writer, and he was inducted into the Blues Hall of Fame in 1994.

Photograph--The Hot Eight Brass Band, Café Brasil, New Orleans, 2005 by Samuel Charters

400 pages (approx.), 6 1/8 x 9 1/4 inches, 64 b&w illustrations, bibliography, index