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Invisible Suburbs
Recovering Protest Fiction in the 1950s United States

Edited by Josh Lukin

240 pages (approx.), 6 x 9 inches, introduction, bibliography, index

978-1-61703-328-5 Paper $30.00D

Paper, $30.00

An examination of fiction from repressed voices in a misunderstood decade

With essays by Stephanie Brown, Ladislava Khailova, Kathlene McDonald, Ian Peddie, Harry Thomas, and Jennifer Worley

Were the 1950s an oppressive or a liberating time? Some scholars argue that the Red Scare, newly institutionalized discrimination against gays, and a public discourse saturated with sexism left wounds in American society. Others trace the origins of sixties liberation movements to the fifties and celebrate America's postwar prosperity, or argue that such new phenomena as rock 'n' roll, teenage consumerism, and Beat poetry gave Americans a new sense of freedom and identity.

Invisible Suburbs advances a new synthesis of both views from the perspective of literary scholarship. Essayists ask how overlooked literature in the 1950s addressed or anticipated the struggles of disenfranchised groups to receive rights and recognition. Scholars analyze the many ways in which the decade's culture stigmatized women, minorities, and the poor. They uncover work that illustrates how groups and individuals challenged or resisted that oppression, fiction by authors who sometimes found roots in earlier liberation movements and anticipated later struggles. Included are Ian Peddie's examination of how Nelson Algren, keeping alive his Depression-era outrage over class injustice, was condemned by Cold War critics but voiced attitudes that would be picked up by sixties authors and activists; Kathlene McDonald's essay showing how the feminism of Red Scare victim Martha Dodd took a similar path; Ladislava Khailova's writing on disability; and Jennifer Worley's exploration of lesbian pulp fiction of the decade.

Josh Lukin is lecturer of English at Temple University. His work has appeared in many periodicals, among them Modern Language Notes, minnesota review, Comics Journal, and Exquisite Corpse, as well as in the anthology Daughters of Earth: Feminist Science Fiction in the Twentieth Century.

240 pages (approx.), 6 x 9 inches, introduction, bibliography, index