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The+Guitar+in+America%3Cbr+%2F%3E+Victorian+Era+to+Jazz+Age

The Guitar in America
Victorian Era to Jazz Age

By Jeffrey J. Noonan

256 pages (approx.), 6 x 9 inches, 40 b&w illustrations (approx.), discography, bibliography, index

978-1-93411-018-8 Cloth $50.00S

978-1-60473-854-4 Paper $25.00D

978-1-60473-302-0 Ebook $25.00

Cloth , $50.00

Paper, $25.00

Ebook 978-1-60473-302-0, $25.00


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In 2014-2015 University Press of Mississippi is closed for the holidays Tuesday, December 23, and will reopen Monday, January 5, 2015. Orders sent by Paypal through Friday, December 12, at 11 a.m. Central will ship in time for Christmas. After December 12, customers desiring shipping before Christmas should call 1.800.737.7788 and ask for rush delivery. Please be prepared to pay extra for rapid shipping. Orders that come to our website through the holidays (December 23, 2014-January 2, 2015) will begin shipping on January 5, 2015.

From parlor instrument to jazz electric, a study of musical evolution in America's progressive era

The Guitar in America offers a history of the instrument from America's late Victorian period to the Jazz Age. The narrative traces America's BMG (banjo, mandolin, and guitar) community, a late nineteenth-century musical and com-mercial movement dedicated to introducing these instru-ments into America's elite musical establishments.

Using surviving BMG magazines, the author details an almost unknown history of the guitar during the movement's heyday, tracing the guitar's transformation from a refined parlor instrument to a mainstay in jazz and popular music. In the process, he not only introduces musicians (including numerous women guitarists) who led the movement, but also examines new techniques and instruments. Chapters consider the BMG movement's impact on jazz and popular music, the use of the guitar to promote attitudes towards women and minorities, and the challenges foreign guitarists such as Miguel Llobet and Andres Segovia presented to America's musicians.

This volume opens a new chapter on the guitar in America, considering its cultivated past and documenting how banjoists and mandolinists aligned their instruments to it in an effort to raise social and cultural standing. At the same time, the book considers the BMG community within America's larger musical scene, examining its efforts as manifestations of this country's uneasy coupling of musical art and commerce.

Jeffrey J. Noonan, associate professor of music at Southeast Missouri State University, has performed professionally on classical guitar, Renaissance lute, Baroque guitar, and theorbo for over twenty-five years. His articles have appeared in Soundboard and NYlon Review.

Advertisement-Symphony Harp Guitars 1907, courtesy the author

256 pages (approx.), 6 x 9 inches, 40 b&w illustrations (approx.), discography, bibliography, index