EXAMINATION COPY POLICY
Professors may request examination copies of eligible books for consideration in their courses, with a limit of three titles per course, per semester. Written requests must include the following information: title(s) of book(s) to be considered, name of instructor, name(s) of course(s), when course(s) will be taught, and estimated student enrollment for each course. Examination copies are provided at the discretion of the University Press of Mississippi. Hardbacks will only be sent if there are no paperback versions of the selected title(s) available.
For University Press of Mississippi publications priced at the following amounts, please include the specified rate per book to cover the shipping and handling fee:
Books priced at $24.99 or less, submit $5.00 per book.
Books priced at $25.00-$39.99, submit $10.00 per book.
Books priced at $40.00 or more, submit $15.00 per book.
METHODS OF PAYMENT:
We accept checks or money orders made out to University Press of Mississippi OR credit card information (ie. type of card, name on card, account number, and expiration date) for a Visa, Mastercard, Discover, or American Express account.
DESK COPY POLICY
Professors may request complimentary desk copies of books which have been adopted and ordered for their courses. Written requests must include the following information: title(s) of book(s) adopted, name of instructor, name(s) of course(s), when course(s) will be taught, estimated student enrollment for each course, as well as the name and address of the bookstore where student copies were ordered. Desk copies are provided at the discretion of the University Press of Mississippi.
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Music Monday: Free Jazz / Black Power
First published In 1971, French jazz critics Philippe Carles and Jean-Louis Comolli co-wrote Free Jazz / Black Power, a treatise on the racial and political implications of jazz and jazz criticism. The book not only caught the spirits of its time; it also shaped it. It remains a testimony to the long ignored encounter of radical African American music and French left-wing criticism. This(read more...)